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Frowning Dresden, Germany
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supported by 60 fans who also own “The Threnody (Aphonic Threnody Cover)”
I listen to a lot of depressive and dark music, and I have to say this album hits hard. Very hard...
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supported by 55 fans who also own “The Threnody (Aphonic Threnody Cover)”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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Life has gone on long enough
by NONE
supported by 50 fans who also own “The Threnody (Aphonic Threnody Cover)”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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supported by 47 fans who also own “The Threnody (Aphonic Threnody Cover)”
really deep and harsh!
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